In der aktuellen Ausgabe von Jazzwise

• FUTURE MOVERS
  HIGHLIGHTING SERIOUS TALENT BUBBLING UNDER THE RADAR….
• GRASSROOTS REVIVAL!
  Peter Jones salutes the indefatigable enthusiasm of local promoter Jenny Green, who’s built a successful monthly programme of gigs at the Apron Cafe Bar at the Chequer Mead Theatre in East Grinstead
• A passion for the Parabola
  This year’s Cheltenham Jazz Festival sees some forward-looking moves taking place in the Parabola Arts Centre’s line-up, Ammar Kalia spoke to its new programmer Alex Carr to find out more
• Quiet rise of UK jazz’s Renaissance woman
  Ursula Harrison won last year’s BBC Young Jazz Musician of the Year, bringing this Welsh native’s talents to wider public attention. Victoria Kingham discovers how the bassist’s blending of genres and extensive studies shape her forward-thinking music
• Lord of the strings
  Stuart Nicholson looks back at the career of that most underrated of jazz guitar masters, Tal Farlow, who often preferred fishing to soaking up the limelight
• FREE TO THE CORE
  Brooklyn-based saxophonist James Brandon Lewis has been forging a reputation for working across multiple projects with a fearsome intensity, be it his rock-fueled group The Messthetics, his Jesup Wagon band or his Red Lily Quintet. The tenorist’s latest trio outing, Apple Cores, distills all of these into an electro-acoustic melting pot. He tells Kevin Le Gendre its inspiration sprung from, of all things, the pages of a music magazine…
• Keep on keeping on!
  Now celebrating a quarter century as an independent artist and impresario, singer Georgia Mancio releases her tenth album A Story Left Untold. Peter Quinn discovers the unusual story behind the new record and finds out how Mancio manages to keep juggling so many varied interests
• DUB AGAINST DYSTOPIA
  As a member of Ezra Collective, Joe Armon-Jones has won the Mercury Music Prize, played Wembley Arena – and won a Brit Award. Alongside this his solo career is blossoming as well, with a two-part new album, All The Quiet, and a headline slot at Cheltenham Jazz Festival. Ammar Kalia talks to the keyboard wizard about dub and the spectre of a future without music
• THE MAN WITH THE HORN
  Freddie Hubbard was often buffeted by the fickle winds of financial necessity and musical fashion, but at his best he was one of the finest trumpeters in jazz. As a striking new live album, On Fire: Live at the Blue Morocco, is released, Stuart Nicholson uncovers the deeper side of this thrillingly inventive musician
• TURNING POINT
  British pianist and composer Janette Mason was won over by the Pat Metheney Group’s ECM debut when she was a teenager. She tells Brian Glasser abourt how it shaped her musical life
• Albums: New Releases
  The UK’s biggest and most authoritative jazz reviews section
• Strata-Eastern promise
  The first fruits of Mack Avenue’s partnership with the legendary Strata-East imprint have arrived. Kevin Le Gendre is impressed by the sound and presentation as well as the music…
• RICHARD SPAVEN
  Known for his mastery of odd-metered beats and work with the likes of Gregory Porter, Flying Lotus, The Cinematic Orchestra and José James, drummer Richard Spaven tells David Gallant about his journey into music and his favourite gear over the years
• Instrument News & Reviews
  David Gallant checks out the latest guitar multi-effects, drum accessories and a bargain option for string seekers
• Gig Guide MAY 25
  Rosie Hanley previews the must-see gigs and concerts. Send future listings to roseanne.hanley@gmail.com
• Letters
  Write in to us here at Letters Dept, Jazzwise Magazine, St Jude’s Church, Dulwich Road, London SE24 0PB or email letters@jazzwise.com