In Ausgabe 002/2026 von Uncut (UK)

TRY FOR THE KINGDOM
In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock. “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

A to Z This month…

In Ausgabe 001/2026 von Uncut (UK)

WHAT THE WORLD WAS WAITING FOR
Four decades on, THE STONE ROSES’ era-defining impact still reverberates. Following the tragic death of their talismanic bass player Gary ‘Mani’ Mounfield, their heady fusion of chiming ’60s guitars and acid house groove feels more potent than ever. Drawing on new interviews with those closest to the story, we return to that golden moment in the late ’80s when anything seemed within their reach. “We achieved the totally fucking extraordinary – we redefined the sound of British guitar music,” discovers Rob Hughes

FALLEN ANGEL
From hustling opening slots at Gerde’s Folk City to becoming one of music’s most revered voices, EMMYLOU HARRIS has spent more than five decades chasing songs wherever they lead. Now, as she prepares for a Farewell Tour of the UK and Europe, she reflects on Gram, Townes and Levon, and her path from peerless interpreter to quietly gilded songwriter. “The position I play is left field,” she tells Alastair McKay. “I’ve always been more comfortable there.”

In Ausgabe 012/2025 von Uncut (UK)

In Ausgabe 011/2025 von Uncut (UK)

In Ausgabe 010/2025 von Uncut (UK)

In Ausgabe 009/2025 von Uncut (UK)

In Ausgabe 008/2025 von Uncut (UK)

In Ausgabe 007/2025 von Uncut (UK)

In Ausgabe 005/2025 von Uncut (UK)

In Ausgabe 004/2025 von Uncut (UK)