Frame Abo

Ausgabe 163/2025
Aktuelle Ausgabe

‘We haven’t got time to get things wrong again’
What if the simplest way to design for longevity and tackle the climate crisis was not to create new solutions but to revive or uphold traditional ones? Consider Indigenous nature-based technologies that view humans not as the most important beings but as custodians of life on Earth. How would this affect the way spaces and places are built? And how we address issues such as food and water scarcity and an increase in natural disasters? Nairobi-based architecture and research studio Cave_Bureau and JULIA WATSON, author of Lo—TEK: Design by Radical Indigenism and Lo—TEK Water, are working towards this. To learn what’s being done, what’s possible and what hurdles are in the way, FRAME’s contributing editor RIYA PATEL moderates a discussion between Watson and Cave_Bureau’s cofounders and directors KABAGE KARANJA and STELLA MUTEGI (Maaka).

BUILT TO BREAK DOWN
Not everything needs to last forever – but convincing an industry obsessed with durability isn’t easy. Crafting Plastics is rewriting the rules of material longevity, creating bioplastics that are strong enough to perform but smart enough to know when their job is done.

In der aktuellen Ausgabe von Frame

Ausgabe 162/2025

‘DESIGN MUST SHIFT FROM MAKING THINGS TO MAKING SENSE OF THINGS’
As the world faces urgent global challenges, designers can play a much bigger role than dreaming up pretty spaces and products. They can take on entire systems, influencing society and culture. How can design become a tool not only for innovation but for meaningful, lasting change?

How live music is becoming a platform for climate activism
With engaged audiences and an industry shaped bycultural influence, live music has a powerful platformto not only promote environmental values but to drivereal change by putting sustainability into practice.

In Ausgabe 162/2025 von Frame

Ausgabe 161/2025

‘New perspectives naturally lead to play’
Yohei Terui and Hiromu Yuyama – founders of Japanese studio I IN – discuss why physical spaces that encourage spontaneity, discovery and deeper emotional engagement are more important than ever.

ÞYKJÓ
By dreaming up their experiential designs collectively – with artists, scientists, scholars and children – Icelandic alliance Þykjó is on a mission to craft free-play opportunities for everyone, everywhere.

In Ausgabe 161/2025 von Frame

Ausgabe 160/2025

Bio boom
With all its reported benefits – including stress reduction and increased productivity – biophilic design is continuing to grow. In our fifth selection of curated products from Material Bank – an ultra-efficient sampling service with over 40,000 materials from hundreds of brands – we focus on the flourishing sector of nature-inspired surfaces. materialbank.eu

NAÏVE BOOKSTORE
Atelier Tao+C

Ausgabe 159/2024

‘We nee to think more expansively about the practice of architecture’
As we navigate the complexities of the climate crisis, it’s essential to broaden our perspective and recognize the interconnectedness of our world. How can nations that have long struggled with the realities of climate change move from being living laboratories of disaster opportunism to living laboratories of climate optimism? Re:arc Institute, a non-profit organization working at the intersection of climate action and architecture philanthropy, is turning its attention to some of these pioneering areas in the coming years. To explore the insights we can gain from these regions, FRAME’s editor at large TRACEY INGRAM moderates a discussion between Re:arc’s director of public discourse, ALICE GRANDOIT-ŠUTKA, and representatives of two of the practices Re:arc is working with: ANA MARÍA GUTIÉRREZ of Organizmo in Colombia, and DORRAINE DUNCAN and JHORDAN CHANNER of Island City Lab in Jamaica.

What if material reuse became site-specific?
Imagine a world where buildings are constructed from materials ‘mined’ directly from the existing site. What are the challenges of this hyperlocal approach to material reuse, and what could it mean for design?

In Ausgabe 159/2024 von Frame

Porträt von Frame

Die Zeitschrift Frame erscheint in englischer Sprache und stammt aus der niederländischen Metropole Amsterdam. Das Magazin widmet sich zweimonatlich der Architektur und wurde 1997 ins Leben gerufen.

Welche Inhalte bietet Frame ?

Das Konzept der Zeitschrift Frame basiert auf vier Themenbereichen. Diese sind „Visions“, „Stills“, „Features“ und „Goods“. Ins Deutsche übersetzt bedeutet dies, dass sowohl unrealisierte als auch vollendete Projekte gezeigt werden aber auch Architekten und Designer Porträts erhalten und über neue Produkte und Materialien geschrieben wird. Die besonders hochwertige Gestaltung des Magazins hat in der Vergangenheit dazu geführt, dass Preise des Art Directors Clubs (ADC) als auch der Society of Publication Designers (SPD) verliehen wurden. Selbstverständlich berichtet Frame immer auch aktuell über Messen und nimmt neben dem Häuserbau auch Themen aus dem Einrichtungsbereich ins Visier.

Wer sollte Frame lesen?

Frame wendet sich europaweit an Personen mit großem Interesse an Architektur, Design und Einrichtung. Die Leserschaft ist zu 55 Prozent weiblich und zu 61 Prozent jünger als 45 Jahre. Zudem stammen 71 Prozent aus den Berufsbereichen Architektur und Design. Die weltweit verkaufte Auflage wird vom Verlag mit 35.000 Exemplaren (Stand 2016) angegeben.

Das Besondere an Frame

Besonders an Frame ist die unkonventionelle und teilweise überaus farbenfrohe Aufmachung, die selbst im Bereich der Architekturzeitschriften ihresgleichen sucht.

  • existiert seit 1997
  • in englischer Sprache
  • hochwertige Aufmachung

Der Verlag hinter Frame

Das Magazin Frame erscheint bei den Frame Publishers Amsterdam und ist die einzige auf dem deutschen Markt erhältlich Zeitschrift des Unternehmens.

Alternativen zu Frame

Frame ist Mitglied der großen Familie der Architektur Zeitschriften. Zu den Alternativen zählt die Zeitschrift Häuser.

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Ausgabe
163/2025
Aktuelle Ausgabe

‘We haven’t got time to get things wrong again’
What if the simplest way to design for longevity and tackle the climate crisis was not to create new solutions but to revive or uphold traditional ones? Consider Indigenous nature-based technologies that view humans not as the most important beings but as custodians of life on Earth. How would this affect the way spaces and places are built? And how we address issues such as food and water scarcity and an increase in natural disasters? Nairobi-based architecture and research studio Cave_Bureau and JULIA WATSON, author of Lo—TEK: Design by Radical Indigenism and Lo—TEK Water, are working towards this. To learn what’s being done, what’s possible and what hurdles are in the way, FRAME’s contributing editor RIYA PATEL moderates a discussion between Watson and Cave_Bureau’s cofounders and directors KABAGE KARANJA and STELLA MUTEGI (Maaka).

BUILT TO BREAK DOWN
Not everything needs to last forever – but convincing an industry obsessed with durability isn’t easy. Crafting Plastics is rewriting the rules of material longevity, creating bioplastics that are strong enough to perform but smart enough to know when their job is done.

Inhaltsverzeichnis
Ausgabe
162/2025

‘DESIGN MUST SHIFT FROM MAKING THINGS TO MAKING SENSE OF THINGS’
As the world faces urgent global challenges, designers can play a much bigger role than dreaming up pretty spaces and products. They can take on entire systems, influencing society and culture. How can design become a tool not only for innovation but for meaningful, lasting change?

How live music is becoming a platform for climate activism
With engaged audiences and an industry shaped bycultural influence, live music has a powerful platformto not only promote environmental values but to drivereal change by putting sustainability into practice.

Inhaltsverzeichnis
Ausgabe
161/2025

‘New perspectives naturally lead to play’
Yohei Terui and Hiromu Yuyama – founders of Japanese studio I IN – discuss why physical spaces that encourage spontaneity, discovery and deeper emotional engagement are more important than ever.

ÞYKJÓ
By dreaming up their experiential designs collectively – with artists, scientists, scholars and children – Icelandic alliance Þykjó is on a mission to craft free-play opportunities for everyone, everywhere.

Inhaltsverzeichnis
Ausgabe
160/2025

Bio boom
With all its reported benefits – including stress reduction and increased productivity – biophilic design is continuing to grow. In our fifth selection of curated products from Material Bank – an ultra-efficient sampling service with over 40,000 materials from hundreds of brands – we focus on the flourishing sector of nature-inspired surfaces. materialbank.eu

NAÏVE BOOKSTORE
Atelier Tao+C

Ausgabe
159/2024

‘We nee to think more expansively about the practice of architecture’
As we navigate the complexities of the climate crisis, it’s essential to broaden our perspective and recognize the interconnectedness of our world. How can nations that have long struggled with the realities of climate change move from being living laboratories of disaster opportunism to living laboratories of climate optimism? Re:arc Institute, a non-profit organization working at the intersection of climate action and architecture philanthropy, is turning its attention to some of these pioneering areas in the coming years. To explore the insights we can gain from these regions, FRAME’s editor at large TRACEY INGRAM moderates a discussion between Re:arc’s director of public discourse, ALICE GRANDOIT-ŠUTKA, and representatives of two of the practices Re:arc is working with: ANA MARÍA GUTIÉRREZ of Organizmo in Colombia, and DORRAINE DUNCAN and JHORDAN CHANNER of Island City Lab in Jamaica.

What if material reuse became site-specific?
Imagine a world where buildings are constructed from materials ‘mined’ directly from the existing site. What are the challenges of this hyperlocal approach to material reuse, and what could it mean for design?

Inhaltsverzeichnis

Porträt von Frame

Die Zeitschrift Frame erscheint in englischer Sprache und stammt aus der niederländischen Metropole Amsterdam. Das Magazin widmet sich zweimonatlich der Architektur und wurde 1997 ins Leben gerufen.

Welche Inhalte bietet Frame ?

Das Konzept der Zeitschrift Frame basiert auf vier Themenbereichen. Diese sind „Visions“, „Stills“, „Features“ und „Goods“. Ins Deutsche übersetzt bedeutet dies, dass sowohl unrealisierte als auch vollendete Projekte gezeigt werden aber auch Architekten und Designer Porträts erhalten und über neue Produkte und Materialien geschrieben wird. Die besonders hochwertige Gestaltung des Magazins hat in der Vergangenheit dazu geführt, dass Preise des Art Directors Clubs (ADC) als auch der Society of Publication Designers (SPD) verliehen wurden. Selbstverständlich berichtet Frame immer auch aktuell über Messen und nimmt neben dem Häuserbau auch Themen aus dem Einrichtungsbereich ins Visier.

Wer sollte Frame lesen?

Frame wendet sich europaweit an Personen mit großem Interesse an Architektur, Design und Einrichtung. Die Leserschaft ist zu 55 Prozent weiblich und zu 61 Prozent jünger als 45 Jahre. Zudem stammen 71 Prozent aus den Berufsbereichen Architektur und Design. Die weltweit verkaufte Auflage wird vom Verlag mit 35.000 Exemplaren (Stand 2016) angegeben.

Das Besondere an Frame

Besonders an Frame ist die unkonventionelle und teilweise überaus farbenfrohe Aufmachung, die selbst im Bereich der Architekturzeitschriften ihresgleichen sucht.

  • existiert seit 1997
  • in englischer Sprache
  • hochwertige Aufmachung

Der Verlag hinter Frame

Das Magazin Frame erscheint bei den Frame Publishers Amsterdam und ist die einzige auf dem deutschen Markt erhältlich Zeitschrift des Unternehmens.

Alternativen zu Frame

Frame ist Mitglied der großen Familie der Architektur Zeitschriften. Zu den Alternativen zählt die Zeitschrift Häuser.

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In der aktuellen Ausgabe von Frame

  • AMASA ESTUDIO
    Instead of simply creating, Mexico City-based Amasa Estudio is re-creating: transforming disused and derelict buildings into ‘imperfect’, flexible spaces that will stand the test of time.
  • JUAN ALBERTO ANDRADE
    Ecuadorian architect Juan Alberto Andrade creates adaptable spaces with a strong cultural identity that prioritize longevity and lived experience over aesthetics and fixed form.
  • SHO OTA
    Shaping from ‘flaws’, not templates, and embracing respect, not trends, Sho Ota brings users closer to the true nature – and timelessness – of timber.
  • ‘We haven’t got time to get things wrong again’
    What if the simplest way to design for longevity and tackle the climate crisis was not to create new solutions but to revive or uphold traditional ones? Consider Indigenous nature-based technologies that view humans not as the most important beings but as custodians of life on Earth. How would this affect the way spaces and places are built? And how we address issues such as food and water scarcity and an increase in natural disasters? Nairobi-based architecture and research studio Cave_Bureau and JULIA WATSON, author of Lo—TEK: Design by Radical Indigenism and Lo—TEK Water, are working towards this. To learn what’s being done, what’s possible and what hurdles are in the way, FRAME’s contributing editor RIYA PATEL moderates a discussion between Watson and Cave_Bureau’s cofounders and directors KABAGE KARANJA and STELLA MUTEGI (Maaka).
  • How museums are adapting to stay relevant
    Museums, by their very nature, are legacies of longevity – places for preservation and conservation. But that doesn’t mean they should be stuck in the past.
  • Why housing needs to catch up with an ageing population
    When it comes to the global affordable housing crisis, it’s not just a matter of building more – it’s about building better. As populations grow older, how can we develop living environments that enable people to age with dignity and purpose?
  • How AI is rewriting the afterlife of buildings
    Does artificial intelligence have what it takes to enrich our relationship with the built environment – past, present and future – by safeguarding architectural memory?
  • Why focusing on the journey could give hospitality a more lasting future
    From high-end trains to electric airships, designers are crafting travel and hospitality experiences that assert the equal importance of environmental responsibility and joy, solidifying time as the ultimate luxury.
  • BUILT TO BREAK DOWN
    Not everything needs to last forever – but convincing an industry obsessed with durability isn’t easy. Crafting Plastics is rewriting the rules of material longevity, creating bioplastics that are strong enough to perform but smart enough to know when their job is done.
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