Uncut (UK) Abo

0,00

Ausgaben

Ausgabe 011/2026

Aktuelle Ausgabe

A FABULOUS CREATION
How do you follow one of the greatest debuts of all time? Such was the question facing ROXY MUSIC at the dawn of 1973, as they prepared to cut their second classic, For Your Pleasure. With a sumptuous new boxset digging deep into the album and the period, BRYAN FERRY looks back over a time of punishing tours, last-minute writing, countryside exile, new studios, greasy spoons, taking tea with Salvador Dalí… and the departure of Brian Eno. “I thought, ‘This is the masterwork, this is it. What can I do after this?’” he confesses to Damien Love.

“WELL, I LIKE TO BE DIFFERENT…”
Almost 60 years into his career, RICHARD THOMPSON has splashed the cash to make his “last ever album”… although plans may have changed. Full of the joys of London, he invites Uncut into his Hampstead home to discuss burglaries, brass bands and “Indian hemp”, show off a holy relic of folk rock and explain just how he’s kept his integrity. “I’m glad I never succumbed to pressure,” he tells Tom Pinnock. “‘Can’t you make records that sound like the Eagles?’”

Ausgabe 010/2026

AND WE COULD DANCE
The tragedy of Ian Curtis continues to cast a long shadow over JOY DIVISION’s legacy. Yet alongside it lies another story: of a group that was intense, hypnotic, physical and utterly transformative on stage. As a new boxset gathers the best surviving live recordings, we ask band members, confidants and fans to revisit 10 nights that shaped their remarkable rise, painting a shadow history that runs counter to the established myths.

THE SEEKER
Commercially adrift but creatively fearless, VAN MORRISON spent the 1980s pursuing enlightenment through song. Forty years on from No Guru, No Method, No Teacher, his closest collaborators look back on a remarkable period of inner searching, mystical inquiry and inspired music-making. “You knew there was something happening,” one collaborator tells Nick Hasted. “If you looked at him you could see this shimmering.”

In Ausgabe 010/2026 von Uncut (UK)

Ausgabe 009/2026

BLACK MATH
Analogue obsessions. Basement recordings. Sharp left turns. For three decades, JACK WHITE has been finding compelling new ways to expand his musical vision, taking rock and roots traditions and twisting them into new shapes. Now friends, bandmates and co-conspirators trace the stories behind his greatest records, from the primal thump of The White Stripes to the ram-a-lam hard rock of Frozen Charlotte.

MOVE ON UP
In 2018, ALABAMA SHAKES were at the height of their powers – and then they walked away. Now, nearly a decade on, Uncut meets the reunited band in rural Tennessee as they unveil a bold, shape-shifting new album – and navigate a second act rooted in healing, community and creative rebirth. “Band stories don’t have to follow that same old storyline,” hears Stephen Deusner.

In Ausgabe 009/2026 von Uncut (UK)

Ausgabe 008/2026

In Ausgabe 008/2026 von Uncut (UK)

Ausgabe 007/2026

CAN’T BE SATISFIED
After the re-energising spark of Hackney Diamonds, what’s next for Dartford’s finest upstarts, THE ROLLING STONES? How about Foreign Tongues – a rough and rowdy record of dystopian dramas, honky-tonk love songs and blues stompers, shot through with the mood of the times. In all-new interviews, MICK JAGGER, KEITH RICHARDS and RONNIE WOOD talk antiheroes, alter egos and the strange continuity that still binds the band together.

MIDNIGHT RIDER
From Florida roadhouses to the Fillmore East, the legend of GREGG ALLMAN endures. Now, with a new documentary imminent, friends and collaborators look beyond the trauma, excess and hard-won redemption to reveal the complicated truth about a Southern rock pioneer. “People see Gregg as a super-talented singer and musician,” his former manager tells Rob Hughes. “But I don’t think they realise the depth of who he was.”

In Ausgabe 007/2026 von Uncut (UK)

Ausgabe 006/2026

In Ausgabe 006/2026 von Uncut (UK)

Ausgabe 005/2026

In Ausgabe 005/2026 von Uncut (UK)

Ausgabe 003/2026

In Ausgabe 003/2026 von Uncut (UK)

Ausgabe 002/2026

In Ausgabe 002/2026 von Uncut (UK)

Ausgabe 001/2026

In Ausgabe 001/2026 von Uncut (UK)

Ausgabe 013/2025

Ausgabe 012/2025

In Ausgabe 012/2025 von Uncut (UK)

Ausgabe 011/2025

In Ausgabe 011/2025 von Uncut (UK)

Ausgabe 010/2025

In Ausgabe 010/2025 von Uncut (UK)

Porträt von Uncut (UK)

Das englischsprachige Magazin Uncut kommt aus London und beschäftigt sich seit 1997 mit Rezensionen der wichtigsten neuen Songs und Platten: Jeden Monat ca. 130 Rezensionen geben einen ausführlichen Überblick über die Musikszene, mit einem leichten Focus auf Americana Rock und Alternative Country. Und damit es nicht bei der grauen Theorie bleibt, kommt jede Ausgabe des Magazins mit einer CD ins Haus.
Neben den Neuerscheinungen befassen sich die Rezensionen auch mit Neuauflagen, Klassikern, Film und DVD. In ausführlichen Interviews kommen die größten Musiker der letzten 50 Jahre zu Wort, die Künstler von morgen. Das perfekte Musikmagazin, um immer up to date zu sein.

Weniger anzeigen

Uncut (UK) Abo

0,00

Abonnement

Einzelhefte

Wählen Sie Ihr Abo

Wann soll geliefert werden?

Wohin soll geliefert werden?

Geschenkurkunde gestalten

Sie möchten ein einzelnes Heft bestellen?

Wählen Sie Ihre
digitale Ausgabe

Sie möchten ein Abo abschließen?

Ausgabe
011/2026

Aktuelle Ausgabe

Ausgabe
010/2026

Inhaltsverzeichnis

Ausgabe
009/2026

Inhaltsverzeichnis

Ausgabe
008/2026

Inhaltsverzeichnis

Ausgabe
007/2026

Inhaltsverzeichnis

Ausgabe
006/2026

Inhaltsverzeichnis

Ausgabe
005/2026

Inhaltsverzeichnis

Ausgabe
003/2026

Inhaltsverzeichnis

Ausgabe
002/2026

Inhaltsverzeichnis

Ausgabe
001/2026

Inhaltsverzeichnis

Ausgabe
013/2025

Ausgabe
012/2025

Inhaltsverzeichnis

Ausgabe
011/2025

Inhaltsverzeichnis

Ausgabe
010/2025

Inhaltsverzeichnis

Porträt von Uncut (UK)

Weniger anzeigen

Leserbewertungen

Bewertung verfassen

1 Jahr Freude schenken!

Bei einer Auswahl von über 1.800 Magazinen finden Sie das richtige Geschenk für jeden.

zum Geschenkabo-Finder

In der aktuellen Ausgabe von Uncut (UK)

KENNEY JONES

The Small Faces drummer on East End pubs, piloting helicopters, going “a bit nuts” with The Who… and new Faces material
THE BEATLES

What goes on! The Fabs’ revelatory sixth remixed, with added treasures.
THE QUEEN OF COUNTRY

From a one-room cabin in East Tennessee to global superstardom, DOLLY PARTON built an empire on talent, humour, compassion and reinvention. Alastair McKay celebrates the remarkable life of an American original.
“WELL, I LIKE TO BE DIFFERENT…”

Almost 60 years into his career, RICHARD THOMPSON has splashed the cash to make his “last ever album”… although plans may have changed. Full of the joys of London, he invites Uncut into his Hampstead home to discuss burglaries, brass bands and “Indian hemp”, show off a holy relic of folk rock and explain just how he’s kept his integrity. “I’m glad I never succumbed to pressure,” he tells Tom Pinnock. “‘Can’t you make records that sound like the Eagles?’”
“Sir Duke” by Stevie Wonder

With creative freedom assured, and a band in full swing, Stevie tops the charts with his tribute to the jazz greats
Hawkwind

Strap yourself in as the band’s founding member and others fly to the other side of the sky via one of the most interstellar discographies in rock
Songs From Northern Britain

From a makeshift studio in the Glasgow suburbs to the windswept landscapes of the Outer Hebrides, TEENAGE FANCLUB have evolved from ragged upstarts into seasoned melodic classicists. As the quietly spectacular Do Not Dare To Dream once again underscores their considerable gifts, Norman Blake and Raymond McGinley look back on where they’ve come from and explain why the creative spark still burns nearly 40 years on. “It just sounds like people,” finds Rob Hughes.
A FABULOUS CREATION

How do you follow one of the greatest debuts of all time? Such was the question facing ROXY MUSIC at the dawn of 1973, as they prepared to cut their second classic, For Your Pleasure. With a sumptuous new boxset digging deep into the album and the period, BRYAN FERRY looks back over a time of punishing tours, last-minute writing, countryside exile, new studios, greasy spoons, taking tea with Salvador Dalí… and the departure of Brian Eno. “I thought, ‘This is the masterwork, this is it. What can I do after this?’” he confesses to Damien Love.
“You can dress it up as much as you want, but when you take away the wrappings we’re all bones”

Fifty years on from SIOUXSIE & THE BANSHEES’ legendary debut at London’s 100 Club, SIOUXSIE SIOUX and STEVEN SEVERIN retrace their band’s evolution from abrasive punk outsiders to one of Britain’s most singular and influential groups. Their chosen route, however, is characteristically oblique: a journey through the B-sides collected on the Downside Up boxset, which is reissued next month. In her first major interview for more than a decade, Siouxsie reflects on autonomy, creative reinvention, inner demons and the challenge of writing again, while Severin remembers accidental masterpieces, satanic videos, pub jukeboxes and “five albums’ worth” of hidden songs. “Reappraising it, re-evaluating it, it’s a great thing to do,” Siouxsie tells Michael Bonner. “Otherwise it would be like being on a treadmill.”
SCREEN

A revered author’s public and private dilemmas; strangers and secrets on a Portuguese estate; a fogbound sci-fi; and more