In der aktuellen Ausgabe von Elle Decor (US)

• THE OTHER SIDE OF BORING
  In her new column, Rita Konig tackles modern design dilemmas, both practical and philosophical. Up next: the fiery and ongoing debate between overstatement and restraint.
• WHAT WOULD JUDD DO?
  The ravages of fire, sandblasting, and time did not destroy the late artist’s office, which has finally opened to the public after a painstaking restoration.
• GOING DOWN
  Elevators were once jewels of design, ornately carved and conceived mini-apartments, up to the sky and back again. Why have we abandoned this space?
• THE FULL PACKAGE
  Louis Vuitton launches its first beauty line with a provocative choice: a rock star German industrial designer more heavy metal than hushed hues.
• ZENNING OUT
  For those looking to escape it all—the clutter, the tasks, those pesky notification pings—this restored villa is worth the 90-minute drive from Tokyo.
• If You Can Make It HERE
  Ambition meets reality in New York for designer Jean-Louis Deniot and his clients, who entrusted him with a double-wide townhouse, completed as he unveils his Waldorf Astoria renovations.
• FIT for a DUCHESS
  When Miles Redd and David Kaihoi come calling in Rochester, New York, the results are anything but mild-mannered. Simon Doonan engages them on those Windsors—Edward and Wallis—the color red, and the answer to the question, Do you want to live in ugly? Well, no…
• WHERE PIET MET CALDER
  The legendary Dutch garden designer Piet Oudolf lets his plantings speak for him. As the Calder Gardens opens in Philadelphia, he gives a rare interview.
• TO SHOP… PERCHANCE TO DREAM?
  A new Peter Marino–designed Dior flagship predicts the future in store.
• THIS IS IRELAND
  You might associate Dublin more with green rolling hills than emerald stone staircases, but that’s only because you haven’t met Róisín Lafferty yet. The designer and gallerist is reimagining her country’s design scene one daring move at a time.
• THE HOUSE OF YES
  A Tudor Revival in San Francisco gets a kaleidoscopic remake from maximalism’s reigning queen, Summer Thornton—with nods to Gustav Klimt, English gardens, and Jerry Garcia.